Examine This Report on metafora

In poetry a metaphor may carry out varied capabilities within the mere noting of a likeness towards the evocation of the swarm of associations; it could exist like a minor natural beauty or it would be the central notion and managing graphic on the poem.

La metáfora establece una relación entre el modo de volar de las aves y el alineamiento de las cuentas del rosario.

“Me tienen bajo la lupa”: Dada la función que tiene una lupa de observar algo muy de cerca y a detalle, esta metáfora indica que tienen a la persona muy vigilada.

Категоријата на метафори ги содржи овие специјализирани типови:

By asserting that the globe is a stage, Shakespeare makes use of factors of comparison amongst the earth in addition to a stage to convey an knowing in regards to the mechanics of the earth as well as actions of the people inside of it.

En estas audiodescripciones en museos para personas ciegas o con baja visión, las achievedáforas se utilizan para describir tanto el arte figurativo como el abstracto, mientras que algunas categorías de satisfiedáforas deliberadas se utilizan con mayor frecuencia para describir obras abstractas.

A metaphor helps make a comparison by stating that one thing is another thing, but a simile states that one thing is like another thing.

Метонимија: Фигура на говор со користење на името на click here едно нешто во однос на различна работа на која е поврзан првиот.

The metaphor of the iron horse for your prepare, as an example, is the elaborate central strategy of one of Emily Dickinson's poems—though neither iron horse

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Un eufemismo es una palabra o expresión que se utiliza para sustituir a otra que resulta ofensiva o malsonante. Además, puede reemplazar a otro término que manifieste de forma excesivamente directa ciertas emociones y que pueda provocar incomodidad o exposición. Como figura retórica, el eufemismo es una herramienta literaria que

Во претходниот пример, „светот" се споредува со сцена, опишувајќи ја со атрибутите на „сцената"; „светот" е тенор, а „сцената" е возилото; „мажите и жените" се секундарниот тенор, а „играчите" се секундарно возило.

En 1517 el P. Bartolomé de las Casas tuvo mucha lástima de los indios que se extenuaban en los laboriosos infiernos de las minas de oro antillanas.

She argues that considering that actuality is mediated through the language we use to describe it, the metaphors we use shape the planet and our interactions to it.

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